"EARLY in Dee Rees’s film “Pariah” it journeys into a Brooklyn strip club where scantily clad young black women gyrate to a sexy, foul-mouthed rap song. Lascivious customers leer, toss money and revel in their own unbridled lust. It is a scene that could have been in any of “the hood movies” that once proliferated or even a Tyler Perry melodrama in which Christian values would be affirmed after this bit of titillation.
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A New Black Wave?
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Jenny Baptiste/Focus Features Dee Rees, the director of “Pariah.” But in “Pariah” the gaze of desire doesn’t emanate from predatory males but A.G.’s, that is aggressive lesbians, who, in a safe space where they enjoy the fellowship of peers, can be true to themselves. Other films have depicted this particular black alternative life (as did a couple of memorable characters in HBO’s masterly series “The Wire”), but no film made by a black lesbian about being a black lesbian has ever received the kind of attention showered on Ms. Rees’s film."
Stuff I find. And like. Obviously.
When I set out to make a documentary about black women who are “transitioning”...
THICKNESS #3 cover by Edie Fake (type & logo by Michael DeForge)
Debuting at CAKE - June 16,...
From the first print of “Der Doktor Faustus” by German poet Heinrich Heine
A young Dorothy Dandridge with a group of beauty queens in the 1940s. Photo: Clyde Woods.